SEXTANT: masculinities, sexualities & decolonialities

Police State, Self-portrait, Lake Marginal, and Transition: Four Poems from J Andros

Police State





The closet is for when you don't

matter enough to be real;


the Florida son of a prison cop

was taught that a glance



to the right means a prisoner

is looking to his memory





A look to the left means

he is lying or imagining



Listening to myself I can't

stand fake floridity



I hear a slur like a rock

thrown under breath

Self-portrait



Ground-down

teeth A razor


dropping

in the shower


Skull

phone


Eyes of apertures

Buzzing chest


Missed

call Human


to house

a place to hide

Lake Marginal



A green thing, gender,

it soothes us;


in the lake

we find silk


slick like fish

caught by bare


hands; in the dark

cool water


we even

love ourselves.




But when

we leave


the lake, dripping,

genitaled,


breasted,

we are


reminded of

sticks to burn,


forced to be

reduced


to our base

truths.


Transition



There's eighty four

thousand paths

to the ocean. What

feels like an ocean.

No shame to have

a body. What an

ocean inside of my

skull. I'm feeling here

a bone in my hand.

No need for this guilt

for merely being

alive, for always

approaching an ocean

but never reaching it.

Copyright:


© Andros, J.

New York University

Email: js12291@nyu.edu


To cite:


Andros, J. (2024) "Police State, Self-portrait, Lake Marginal, and Transition: Four Poems from J Andros",

SEXTANT: Masculinities, Sexualities & Decolonialities, Poetry. Vol 2, Issue 1: 10.


SEXTANT: Masculinities, Sexualities & Decolonialities

ISSN 2990-8124

University College Dublin, Ireland

https://sextantnotes.com